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Creativity and Cultural Improvisation (ASA Monographs)

Creativity and Cultural Improvisation (ASA Monographs)

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Creators: Elizabeth Hallam, Tim Ingold
Publisher: Berg Publishers
Category: Book

List Price: $34.95
Buy New: $31.50
You Save: $3.45 (10%)



New (11) Used (3) from $31.49

Sales Rank: 1503227

Media: Paperback
Number Of Items: 1
Pages: 320
Shipping Weight (lbs): 1.2
Dimensions (in): 9.1 x 6.1 x 0.8

ISBN: 1845205278
Dewey Decimal Number: 306.42
EAN: 9781845205270
ASIN: 1845205278

Publication Date: June 10, 2008
Availability: Usually ships in 24 hours

Also Available In:

  • Hardcover - Creativity and Cultural Improvisation (ASA Monographs)

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Editorial Reviews:

Product Description
There is no prepared script for social and cultural life. People work it out as they go along. Creativity and Cultural Improvisation casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix. The book explores the ways creative agency is attributed in the graphic and performing arts and in intellectual property law. It shows how the sources of creativity are embedded in social, political and religious institutions, examines the relation between creativity and the perception and passage of time, and reviews the creativity and improvisational quality of anthropological scholarship itself. Individual essays examine how the concept of creativity has changed in the history of modern social theory, and question its applicability as a term of cross-cultural analysis. The contributors highlight the collaborative and political dimensions of creativity and thus challenge the idea that creativity arises only from individual talent and expression.


Book Description
This book explores the ways creative agency is attributed in the graphic and performing arts and in intellectual property law. It shows how the sources of creativity are embedded in social, political and religious institutions, examines the relation between creativity and the perception and passage of time, and reviews the creativity and improvisational quality of anthropological scholarship itself. Individual essays examine how the concept of creativity has changed in the history of modern social theory, and question its applicability as a term of cross-cultural analysis. The contributors highlight the collaborative and political dimensions of creativity and thus challenge the idea that creativity arises only from individual talent and expression.


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