Above Paris

The photographs are of the greatest imaginable clarity, with a wealth of detail in every picture. Although it is possible to flip through the book, the best approach is to take it and carefully study each picture, teasing out all the details that each one can reveal. I will confess that I have never been to Paris, but thanks to studying this as well as other books enabling one to study the layout of the city, I honestly believe that I could negotiate between the landmarks if I were suddenly plopped down in the center of the city.

I have only two complaints with the book. First, the first section of the book features both historical and modern views of the same areas. I would have liked to see a lot more of that. For me, these were by far the most interesting photos in the book, and I wouldn't have minded if this constituted the bulk of the book. Second, while the pictures are of the highest imaginable quality, most were taken from approximately the same elevation. If one compares the photographs here to those in Jan Morris's OVER EUROPE, you will find in the latter a much greater variation in elevation. In the Morris book, they were able to many instances to use a remote control balloon with a camera to get much, much lower than Cameron was in this volume. Pierre Salinger's intro details some of the difficulties they had in getting permission for low-level photographs. Minor quibbles, but I do believe that more variety in the book would have increased its attractiveness and value.